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CREA TIVEFIRST                                            COPYRIGHT 101


       (i)  Camcording of a  lm in a movie theatre and thereafter distribution of such
           recording to the public on pirated websites/platforms. This becomes
           especially a concern when such recordings are made available within hours
           of  rst theatrical screening of  lms;

       (ii)  Uploading of DVD rips of  lms on pirated websites and hubs;

       (iii)  Providing unauthorized links to stream or download  lms or sound
           recordings from various aggregators of pirated websites
           such as BitTorrent;


      All of the above acts require little or no capital investment on the part of the
      pirate, however, such acts of a piracy results in enormous losses to the
      copyright owner by way of loss of potential revenues not just from the territory
      where the infringement started but potentially from around the world as the
      digital world is not limited by any territorial boundaries and the pirated content
      in the digital space can be accessed by anyone from any corner of the world.

      In the recent years there has been a signi cant increase in the instances of
      piracy in India, especially digital piracy. As per reports from digital piracy
      authority MUSO, there has been a 63% increase in digital piracy since the
      commencement of lockdown in India in late March 2020 due to COVID-19 as
      compared to the last week of February 2020. This was not limited to India as it
      also increased in the US (41%), the UK (43%), 50% Spain (50%), and Italy (66%).
      According to the  ndings of The Irdeto Global Consumer Piracy Threat Report,
      media and entertainment sector loses $2.8 billion of its annual revenue to
      piracy, which is not just a loss for the copyright owners but also result in loss to
      public exchequer.

      In simple words, you cannot just lift someone else’s work and use it as your own
      or misappropriate someone else’s work for any purpose without his consent.

      Further, if a person permits any place to be used for pro t for the purpose of
      communication to the public of any work that enjoys copyright protection
      under the Copyright Act where such communication is not authorized by the
      owner of copyright in that work, amounts to copyright infringement.





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